Salok Mahala 9 Pdf In Hindi

Salok Mahala 9 Pdf In Hindi

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Shalok, If you do not sing the Praises of the Lord, your life is rendered useless, You have come from the True Source, Wherever you were, you will return. Salok, You are from the True Source, Wherever you were, you will return. Salok, You have come from the True Source, Wherever you were, you will return. Salok, You have come from the True Source, Wherever you were, you will return. Salok, You have come from the True Source, Wherever you were, you will return. Salok, You have come from the True Source, Wherever you were, you will return. Salok, You have come from the True Source, Wherever you were, you will return. Salok, You have come from the True Source, Wherever you were, you will return. Salok, You have come from the True Source, Wherever you were, you will return. Salok, You have come from the True Source, Wherever you were, you will return. Salok, You have come from the True Source, Wherever you were, you will return. Salok, You have come from the True Source, Wherever you were, you will return.

28. I noticed that in kirtan meetings on various occasions I have been singing (or trying to sing) the Salok. I like to sing it mostly on the weekend, while in the train, while driving, even when I'm carrying on a conversation. I never feel or act like I'm singing, but sing as if I'm singing. I like the Salok to be sung in the same way as in the following video, wherein the singer is sitting down, but then the text is in the air for some seconds and the singer is not in the same place, and I do not know how to sing the Guru, but do it as if I do. I notice that everybody seems to like it, but I don't know why that is, maybe it's because I'm singing it in that way, or maybe it's because I sing it in the way I always sing it. I have a 7 year old child and a 20 year old son who sing the Salok and this is their favourite song and I do not force them to sing it. I like it.

The saloks are also meant to encourage the reader to make constant effort in the quest for truth and remove the worldly illusion of understanding, and to encourage the reader to the same pursuit on the spiritual path. Along with the akhiri and the Meera, the salok is one of the nine most frequently chanted and sung parts of the Guru Granth Sahib (Bhog).

The saloks were composed by ten poets of the Sikhs. The need for detachment and incorruptibility is the theme here as important and as closely intertwined with the importance of prayer as it is in other parts of the Guru Granth Sahib. The argument for detachment is the unreliability of the world. The saloks depict unremittingly the fickleness and inconstancy of all that most of us ordinarily seek and cherish in life material possessions, power and authority, love and loyalty of friends and relations, strength of limbs and faculties.

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